Illustrator in Washington, DC
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Teaching Tolerance

My work for the Southern Poverty Law Center has been some of my most fulfilling at the professional and artistic level. The pieces I’ve been asked to illustrate for Teaching Tolerance, their magazine aimed at educators, have challenged bring difficult concepts to life and have allowed me to do work that is closely aligned with my personal values.

TEACHING TOLERANCE 66

Teaching Tolerance #66 | AD: Kristina Turner | Illustration: Carlos Basabe

Teaching Tolerance #66 | AD: Kristina Turner | Illustration: Carlos Basabe

I was asked to create a cover for the final issue of Teaching Tolerance magazine in its current iteration. The theme of the issue White Supremacy and its omnipresence in American life. I set out to depict White Supremacy as a rot, eating away at our vibrancy and weakening the power of our ideals.

TEACHING TOLERANCE 63

Teaching Tolerance #63 | AD: Kristina Turner | Illustrator: Carlos Basabe

Teaching Tolerance #63 | AD: Kristina Turner | Illustrator: Carlos Basabe

I was asked to create a lede illustration for Dr. Gregg Suzanne Ferguson’s “Black Students and Educators at Confederate-Named Schools”. Having grown up under the shadow of (literally) a huge confederate flag in Tampa, FL, I had personal experience on which to draw. A decided to depict the psychological terror in a somewhat literal way by creating a scene reminiscent of a horror film.

For the final illustration, I settled on stark shadows and harsh colors to create an ominous mood.

TEACHING TOLERANCE 58

Teaching Tolerance #58 | AD: Kristina Turner | Illustrator: Carlos Basabe

Teaching Tolerance #58 | AD: Kristina Turner | Illustrator: Carlos Basabe

Teaching Tolerance #58 AD: Kristina Turner

Teaching Tolerance #58 AD: Kristina Turner

Feature and spot art for a piece called “Debunking The Mobility Myth” written by Dr. Robert L. Reece. The piece explores the peculiar form of gaslighting that black students experience when learning about America as a land of opportunities. The contrast of the American myth versus their daily reality can at times make the students feel unseen.

When approaching the assignment, I grabbed on to the author’s experience with Ralph Ellison’s The Invisible Man. The idea of a story about an invisible man making a person feel seen made for too good of a visual to pass up. For the lede illustration, I used a Penrose staircase to show the sometimes futile and exhausting nature of trying to succeed in a system designed for the opposite outcome.

The foreground kids in the spot were loosely based on Corey and Shawn from Boy Meets World. And in a sign of what would become a recurring theme in my Teaching Tolerance work, I hid a white supremacist monument in the Penrose staircase.